When the Delgados amicably went their separate directions back in 2005, fans of the band’s sublime pop vision could have only felt as if they lost a rare and special group to hang their hat on. After all, the band did play the part of forerunners to the Scottish pop renaissance…a scene that later blossomed in Glasgow with the likes of Belle and Sebastian and Mogwai. Call them the one time epicenter if you’d like.

Of course that was then, and this is now. And the lovely thing about the here is now is the return to form of founding member Emma Pollock. Last month the Scottish charmer released Watch the Fireworks (4AD); a collection of songs that finds Pollock “clearly in her comfort zone…both vocally and musically” (Pitchfork). To top it all off, Pollock is also opening a slew of dates with the New Pornographers. Not too bad for a ten year pro who suddenly finds herself starting off again, so to speak. – David Pitz


We had a chance to catch up with Pollock last week at Webster Hall, as well as film her performance for a sold out audience. Stay tuned to Baeble in the coming weeks for this exclusive footage.

Emma Pollock Continues Her Tour w/ New Pornographers
Oct 31 2007 - New Orleans, LA - House Of Blues
Nov 1 2007 - Houston, TX - Warehouse Live
Nov 2 2007 - Dallas, TX - House of Blues
Nov 3 2007 - Austin, TX - Waterloo Park
Nov 4 2007 - Lawrence, KS - Liberty Hall
Nov 5 2007 - Englewood, CO - Gothic Theatre

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Photos: Emma Pollock:: “Live at Webster Hall” – NY, NY
Emma Pollock on MySpace

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Usually on Saturdays, I’m doing one of two things: I’m on my way home to get ready for a night with friends or on my way home to relax with some good books and maybe watch some sports. This night it was the latter. So I left the library at around 7:00 pm and decided to walk home for the hell of it. It looks like I picked the right time (or wrong time depending on your perspective) to check out the new release from rapper Sole whose collaboration with the band Skyrider resulted in the titled mentioned above. KEEP READING- Stephon Johnson

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Sole and the Skyrider Band on MySpace

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If your sister's wedding conflicts with the next time Band of Horses are in town, send her a card. Bands this in demand don’t play all too often (though, they will be returning to play Terminal 5 next week). The group’s October 20th performance as part of the Sub Pop CMJ Showcase at the Bowery Ballroom must have left at least a hundred yearning young folk in the cold, praying that maybe they’ll find a way through the doors in time to see the lights dim and hear the crowd roar.

Those who did were treated to a great rock band circa 1972: jeans, boots, shirts, and beards. Flanked by an impressive armada of guitars, Ben Bridwell is a commanding presence propped up behind the pedal steel. Leaning into the microphone, Bridwell asked, "Hi there. How are you?" The electric atmosphere that followed provided the answer to that question. This was the first time I had ever seen Band of Horses live, and it is safe to say I went into the show a bit naive. Those low fidelity MP3's on MySpace from which I had become a fan of pale in comparison to the band’s live sound and presence. Throughout the performance, it was all too easy to feel the passion of Bridwell's voice…the melodies seemed to flow right through my veins with every word.

Song after song, Band of Horses holds one captive to their epic soliloquy. Even after two hours, and two encores, I felt invigorated to hear more. Live, the band’s performance brings another dimension of intensity and awe to their inspiringly gifted songs. Band of Horses offer good old fashioned, or perhaps new fashioned Rock 'N Roll. And if you don't own their records, redo your budget for the week and work in an extra fifteen dollar line items for Band of Horses' newest Sup Pop release Cease to Begin. - Jeffrey Swart

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MP3: Band of Horses:: “Is There a Ghost” – from Cease to Begin
Band of Horses on MySpace

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“Super Group” may be the cringe worthy label that has been all too aptly applied to New Pornographers ever since they formed back in 1996. But the band’s performance last Thursday at NYC’s Webster Hall proved that it’s not just household names that set them apart from many of their peers. Granted, the evening did mark one of the few occasions to check out the full ensemble of musicians associated with the band...Carl Newman, Neko Case, Dan Bejar, John Collins, Blaine Thurier, Kurt Dahle, Kathryn Calder, and Todd Fancey…recreating live material from Challengers, Twin Cinema, Electric Version, and Mass Romantic. But by flooding the spacious stage with up to thirteen musicians at a times, showing off their famously seasoned sound for a brawny hour and forty-five minute set, and bringing Gordon Gano on stage for a Violent Femmes' cover during the encore, the band proved their reputation comes by way of their unselfish, willingness to provide an entertaining, autumn evening for 1800 friends. – David Pitz



Amazingly, the band gave us the opportunity to both interview them, as well as film this memorable show. Stay tuned to Baeble in the coming weeks for exclusive footage.



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Photos: New Pornographers:: “Live at Webster Hall” – NY, NY
MP3: New Pornographers:: “My Rights Versus Yours” – from Challengers
New Pornographers on MySpace



- Photography by Maureen Pitz

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When an intensely, pondering poet, draped in a broken-in hollow body guitar and spewing red and raw vocals, as if choking on the sun-baked mud and dust of his subject matter, teams up with a hold no cheap shots (at least behind the kit) kind of drummer…himself awash in sweat, fighting off the rush of blood from his own battered fingers…the live result can only be something that tip toes on the overwhelming. Such is the case with Adam Stephens and Tyson Vogel.

Though the two childhood friends hail from San Francisco, Two Gallants’ performance on Tuesday at the Blender Theater at the Gramercy would have one believe they were bred on an utterly authentic, rural ruggedness. I suppose it’s due to the way their agrarian blend of folk, blues, country, rock, and punk conjure up apocalyptic dust bowl images…think The Grapes of Wrath if you have to. And if you don’t rely on such a picture, just know that such intense, tom tom driven folk thrash can set Midwestern hay bails ablaze all the way from New York City. - David Pitz

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VIDEO: Two Gallants:: “Live at the Gramercy Theater” – NYC, NY

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Come next weekend, Josh Rouse may just fancy himself a country mouse in a rather splendid house. That’s because the ‘70s pop leaning singer-songwriter is coming to NYC to play a set of shows at the Gramercy Theater with former Azure Ray member Maria Taylor. It’s bound to be a beautiful show, and Baeble wants you to see it. So we’ve teamed up with our friends over at Nettwerk to orchestrate a hook up. That’s right…just send a quick EMAIL with your full name and “Josh Rouse” in the subject line and you may be on your way to see the show. We’ll draw the lucky winner of a pair of free tickets to the show this Friday afternoon. Why? ‘Cause we are pretty darn fond of you, the loyal Baeble Blog reader. - David Pitz

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Josh Rouse on MySpace
Maria Taylor on MySpace

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While best known for his melodic guitar strumming and knob turning, producing ways in Death Cab for Cutie, Chris Walla plans to go all Postal Service this winter, stepping away from the band for just enough time to release his debut solo release. Titled Field Manual, Walla will release the record on January 29th on long-time label Barsuk Records. And like a lot of albums these days it seems Walla isn’t afraid to get a tad political (and for good reason...read on). From the official release… - David Pitz

“In addition to the expected difficulties he encountered attempting to approach his own work with the necessary detachment of a producer [difficulties which led Walla to enlist the help of Canada-based British ex-pat (and Midnight Oil / The The producer) Warne Livesey], the project hit an unexpected snag when a data hard drive containing critical album files was confiscated by U.S.Customs. The drive was held "to be analyzed" for several weeks on its way back into the U.S. prior to final mixing of the album. (Apparently the U.S. government is unfamiliar with FTP sites, and believes that physically transporting hard drives across the border is the technique of choice for foreign individuals trying to move sensitive information into our country. Brilliant.)

Interestingly, a strong political thread runs through the record's lyrics; Walla takes more than a few shots at U.S. policy, both at home and abroad, and challenges at least one senator to find the exit door... For whatever reason, the drive has still not been returned, and so Walla is working with his original tapes and a back-up drive (during his breaks from the studio where he's currently producing a new Death Cab record tentatively slated for release in late spring or early summer of 2008) to re-apply the finishing touches on the album.“

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Club 8 — the duo consisting of Karolina Kornstedt and Johan Angergård — is another band that could be submitted as evidence that the Swedes were blessed with some sort of uber-developed indie-pop gene that the rest of the world somehow missed out on. Their newest album, The Boy Who Couldn’t Stop Dreaming (Labrador Records), presents a masterclass in how to craft lovely and affecting songs, without ever veering into preciousness or pretension. Keep Reading - Claire Orpeza




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MP3: Club 8:: “Jesus, Walk With Me” – The Boy Who Couldn’t Stop Dreaming
MP3: Club 8:: “Heaven” – The Boy Who Couldn’t Stop Dreaming
Club 8 @ MySpace

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CMJ has come and gone, and judging by the half hazy and dead feeling afflicting many in the office this morning, I’m not sure if that is entirely a bad thing. In past years, the annual blitz of bands on NYC have sent us jettisoning from club to club, taking queues from perfectly timed schedules in order to slam down the perfect kind of rock cocktail night after never-ending night. From the Mercury Lounge, down to the Knitting Factory, to hot damn…got to haul it over to Brooklyn by midnight! As Baeble contributor Jason Newman put it, “CMJ can be a Sisyphean task of frustration. For many, the festival is marked as much by what they missed as to what they saw.”

That’s why we decided to stay put, so to speak, for this year’s event, and let the talent find us. Teaming up with our friends over at The Fader, we set our cameras up in an empty storefront in the Lower East Side for a four day run of performances by the likes of Cut Off Your Hands, Cool Kids, HEALTH, Dragons of Zynth, Atlas Sound, White Denim, Drug Rug, Yeasayer, Wild Light, and The Checks (to name only a few).

In addition, we also hustled over to the Bowery Ballroom Thursday evening in time to catch the sold out World’s Fair Showcase, featuring performances by British Sea Power, Pela, 1990s, Tiny Masters of Today, The Grey Race, and Stardeath and the White Dwarves. Stay tuned to Baeble over the next coming weeks for exclusive footage from these CMJ showcases. – David Pitz


The Checks...


Atlas Sound...


Guitar Hero...


Party People...


Baeble's Allison Hagendorf Gets To Know The Checks...


Drug Rug...

- Photography by Maureen Pitz

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Photos: Baeble Does CMJ:: “Live at the Fader Sideshow” – 10/19-10/20/07 - NY, NY

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Yesterday Jason Newman kicked our CMJ preview (which, by the way, starts today) off with an extensive list of bands worth seeking out on namesake alone. While this is a perfectly reasonable way to plan your week, today’s list focuses on those acts that bring both the buzz and the wares to prove it to NYC this week. To the lists!

Baeble’s CMJ Picks – Talent/Buzz Edition

Tuesday, October 16


Dragons of Zynth/Celebration
11:00 p.m., Union Pool, 484 Union Ave., Brooklyn
The Skinny: Both heavily buzzed-about New York bands share the same artsy-meets-straight-ahead guitar rock style in the vein of TV on the Radio and Yeah Yeah Yeahs. (Both bands are produced by TVOTR’s David Sitek.) Dragons of Zynth also play Mercury Lounge (217 Houston St.) on Saturday at 9:00 p.m.

Wednesday, October 17

Fool’s Gold Tour w/A-Trak, Kid Sister, DJ Mehdi, Kavinsky
All night, Hiro Ballroom, 118 Ninth Ave.
The Skinny: This one will definitely via for biggest ratio of hipsters to normies at the festival. Kavinsky and Mehdi rep Ed Banger, the Paris label known primarily for Justice and Uffie. A-Trak is perhaps best known as Kanye West’s touring DJ, but has long been known as one of the world’s top turntablist. And Chicago’s Kid Sister rhymes over bouncy, electro-funk that fits in perfectly with her deejaying counterparts.

The Wildbirds
8:00 p.m., The Delancey, 168 Delancey St.
The Skinny: You’re forgiven if you think these guys are Kings of Leon when you first hear them. Really, the only difference is that these guys are from Wisconsin instead of Nashville, but they have Southern dirtbag rock nailed cold. And yes, we mean that in the most complimentary way.

Black Ghosts
11:00 p.m., The Delancey, 168 Delancey St.
The Skinny: UK’s Black Ghosts, formed by Simon Lord (The guy who sang the original “We Are Your Friends” for Simian before Justice flipped it into the anthem of the year), make their U.S. debut at this heavily-anticipated show. Check for their debut EP out later this month.


Robbers on High Street
11:30 p.m., Mercury Lounge, 217 E. Houston St.
The Skinny: It seems that New York’s ROHS have finally broken out of the “Spoon Jr.” comparisons with their recently-released Grand Animals, which melds the unashamed pop of Beatles-era Paul McCartney with the darker, acerbic material of Beatles-era John Lennon. Their live show is still one of the most high-energy rock shows today.

Thursday, October 18

Benzos
7:45 p.m., Blender Theatre at Gramercy, 127 E. 23rd St.
The Skinny: Benzos have been kickin’ around NYC for a minute now, blending atmospheric downtempo and drum and bass with driving guitar-rock. With a nod to Kid A-era Radiohead, they’re worth getting to the Gramercy early.


Tiny Masters of Today
9:00 p.m., Bowery Ballroom, 6 Delancey St.
The Skinny: For those who loved School of Rock but think Smoosh is too cute, we present Tiny Masters of Today. Ivan is 13. His sister Ada is 11. And they rock. OK, maybe it’s age-relative, but they still rock. Do they get drinking wristbands at shows?

Simian Mobile Disco
12:00 a.m., Music Hall of Williamsburg, 66 N. 6th St., Brooklyn
The Skinny: One of the most buzzed-about shows of the festival, Simian Mobile Disco was born from UK rock band Simian and with the release of this year’s Attack Decay Sustain Release, were successfully able to break from the “band that Justice sampled” title.

St. Vincent
12:00 a.m., Knitting Factory Main Space, 74 Leonard St.
The Skinny: Singer-songwriter Annie Clark’s Marry Me became a blog favorite upon its release earlier this year. We don’t know if she’ll bring her band for this show or go solo (most reviews lean more favorably towards the former), but worth checking out.

Friday, October 19

Drug Rug
7:00 p.m., Bowery Ballroom, 6 Delancey St.
The Skinny: Baeble favorites Drug Rug combine blues, folk and lo-fi sounds that recalls both Elephant 6 and classic 60s & 70s vocalist duos (Everly Brothers, Sonny & Cher, etc.) without those decades’ sappier moments.

Devin the Dude
10:00 p.m., B. B. King’s, 237 W. 42nd St.
The Skinny:A perenial favorite among the hipster set, the Texas rapper weaves hysterical storytelling with a laid-back, stoner flow. Picture Andre 3000 meeting Too $hort.


Sons & Daughters
12:00 a.m., Bowery Ballroom, 6 Delancey St.
The Skinny: The Scottish band released one of 2005’s best albums with The Repulsion Box, an album full of bar-ready songs about death, murder and love that made many critics’ Top Albums list. Their second album, The Exit, comes out next January.

Illinois
12:00 a.m., Midway, 25 Avenue B
The Skinny: Baeble favorites Illinois update the best of old-school roots rock and Americana with a modern touch. Think a harder-rocking Son Volt over Bob Seger.

Z-Trip
12:30 a.m., Studio B, 259 Banker St.
The Skinny: Bay Area DJ Z-Trip pioneered mash-ups before it even had a name and is known for electrifying, party-friendly sets that incongruously match [random band 1] with [random band 2] and have it all make sense on the dance floor.

AIDS Wolf
1:00 a.m., Knitting Factory Main Space, 74 Leonard St.
The Skinny: A few CMJs back, we walked into the damp, dark basement of New York’s Lit Lounge to see a bunch of guys playing abrasive, primal rock in the audience (the band is known to immediately ditch the stage to play directly in the crowd.) It was hot, sweaty, disgusting and a beautiful CMJ moment.

Saturday, October 20


Justice
9:00 p.m., Terminal 5, 610 W 56th St
The Skinny: This one probably doesn’t need any more hype than it’s already gotten. The Ed Banger bellwethers have been the hot shit duo du jour and their shows are more raucous parties than actual DJ sets. With an extended family and friends partying behind the decks with them and egging them on, Justice are not the DJs you watch to check their technique. They’re the DJs you do shots and make out to. - Jason Newman

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Last month Architecture in Helsinki sent our hearts a racing with news of a massive month long tour of the states. Baeble’s Eric Silver checked out these street jivin’ Australians last Thursday, as they made a stop at NY’s Blender Theater.

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Thursday night saw a visit from our friends from down under, Architecture in Helsinki, to the Blender Theater at Gramercy. With doors opening at 8, the first supporting act to grace the stage was drummer/singer duo Panthers (my friend Josh's reaction to the band name pretty much summed up the band: "Not 'The Panthers'?? Just 'Panther'?"). Their set didn’t really go much beyond a lot of percussion, a little singing, and apparently a bass line laid down by an invisible bassist that was nowhere to be seen on stage.

Next came Swedish trio Lo Fi Fnk, three youngsters who could have been Hanson minus the grooming, and didn't seem to come from the Stock-rock school. They sounded like a rehashing of Depeche Mode circa 1981. They managed to put together a sound that got people moving, though they had a few strikes against them. To start with, two out of three band members were wearing the shirt of the band. Obviously not honors students from Stock Rock U. By far more egregious was the synth player who wore short shorts and danced more than he played, and obnoxiously at that.

AIH took the stage at 11, after setting up their own instruments (that's grassroots), and began a set that pretty much started and ended as a party. They're a motley crew to look at collected together, lead singer Cameron Bird looking like he'd just come back from a late-running chem lab experiment, the guitarist/yeti who may have never had a haircut in his life, and Kellie Sutherland looking like an extra from the opening scenes of Muriel's Wedding (and that's not to play the Aussie card--that's just the first thing that came to mind).

The set was comprised of many songs from the new album, Places Like This, as well as from the previous two albums. Throughout the performance many band members would switch up, as seems to be the new trend for dynamic acts like this, usually with one musician playing what I like to call the "flex" position, moving around picking up whatever instrument is needed at the moment. For those who are familiar with the music, AIH delivered on the fun, fast-paced vocals, the tribal island chanting, and the steam engine pace that they infuse into many of their songs. The true gem, however, was the brass section, which came together with their crisp ska hook, completely edging out the competition for prime status in “Debbie”. It was so surprising and remarkable that even Bird felt the need to comment on how great it was to have a full brass section play on the song for the first time since recording it.

One of the other great elements was the band's general rapport with the audience. Too often we are forced to listen to our favorite bands chatter to fill up space, just because their mikes are on, and most of it is pretty forgettable, and a little tedious. AIH displayed the kind of wit and fun that comes across in their music, and they tended to be pretty funny, even though I couldn't understand half of it through their accents. Other highlights from the show include chill-inducing "Hold Music" and "Heart it Races" (mark my words, they will get VERY tired of playing this song at some point, so hear it live while you still can), as well as a cover of a song from the soundtrack to Crocodile Dundee (seriously), "Live it Up", which they notified us was a number 1 hit in Australia in 1985. How can you not like these guys? - Eric Silver

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MP3: Architecture in Helsinki:: “Heart It Races” – from Places Like This
Architecture in Helsinki on MySpace

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The tendency of long disbanded acts to poke their collective heads above the weeds to sneak a bit of big money breeze has been a rather consistent kind of phenomenon over the last few years. Plenty of recognizable names have found their way back into the foldas of late, but have their intentions been pure? Who knows...All that really can be said is that The Police obviously still despise each other, The Pixies have yet to deliver on a new album, Led Zeppelin only appear to be getting it together for one gig in London, and in the case of the Smashing Pumpkins, two men coming together does not a reunion make.

However, one pleasant surprise over the past few years has certainly been the return of Mark Eitzel’s American Music Club. Garnering quite a cultish following up until their 1994 breakup, the band reunited and released Love Songs for Patriots in 2004. But was the album a grand kind of one-off swan song, or a ravish return to form? Recent news in the inbox provides a welcome answer to that question. That’s because the group has announced they will be releasing a follow-up this February titled The Golden Age (Merge). Info on the album below comes courtesy of AMC’s website… - David Pitz

“The overall sound is lighter than on previous AMC recordings. Of course there are many reasons why. 1) AMC refutes the label of 'Emo Pioneers'. For the record they hate Emo and have never been on the soundtrack for any W.B. network show. (yet) 2) Dark music is for people who are healthy enough to take it - and AMC want to appeal to all people - including the sick. 3) Mark Eitzel comments: "What will my neighbors in my retirement community think? How will I charm the nurse that tends to me? I want to fill my mouth with sugar and spit it on everyone when I talk. I want to cover the world with chocolate cake icing.””

Track list for The Golden Age – 2/18/08
All My Love
The Victory Choir
The Decibels and The Little Pills
The Sleeping Beauty
The Stars
All The Lost Souls Welcome You To San Francisco
Who You Are
The Windows On The World
One Step Ahead
The Dance
I Know That's Not Really You
On My Way
The Grand Duchess Of San Francisco

Finally, the band has a couple upcoming shows for lucky folks in San Francisco and Los Angeles.

Nov 9th - San Francsico - Rickshaw Stop
Nov 13th - Los Angeles - The Echo (w/ Emma Pollack)

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American Music Club on MySpace

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Every year, thousands of journalists, radio programmers, bloggers and other assorted music-nerd types invade New York for four days, leaving a trail of PBR cans, badges, and flyers in their wake. It’s CMJ, and it always brings, along with 1,000 bands you’ll probably forget, some of the top acts from every genre to New York for an extended weekend. Even for people who have attended the festival for years, planning a CMJ can be a Sisyphean task of frustration. For many, the festival is marked as much by what they missed as to what they saw. But when it’s 2:00 in the morning and you’re crammed into the tiny Mercury Lounge to see the first New York show of a much-buzzed about band named “Arcade Fire,” it’s all worth it.

Thus begins Baeble’s preview of the days to come. It’s so massive, in fact, we have to tackle the schedule in two parts. Today, Jason Newman has a little fun with band names, attempting to pick those acts worth sniffing out on namesake alone. Tomorrow, he’ll pick right back up where he left off, handling those that bring both the buzz and the wares to prove it. To the lists!

Baeble’s CMJ Picks – Cool Name Edition
Baeble picks the most interesting sets based solely on how cool the band name is. Let us know after the festival how on-point we were.

Tuesday, Oct. 16

Choo Choo La Rouge
10:30 p.m., Living Room, 154 Ludlow St.
The Skinny: Instead of getting a 300-pound drag queen based on the name, we get a pretty good indie pop group. Male/female harmonies sound like Freedy Johnston singing with Chrissie Hynde.


De Jeugd van Tegenwoordig
1:00 a.m., Cake Shop, 152 Ludlow St.
The Skinny: At first, we thought this was a Brooklyn band trying to be ironic and ensuring every single press mention will get their name misspelled. Turns out they’re actually Dutch and rap over electro beats a la Ed Banger. At least they made their Myspace link easy to remember by removing the difficult “De” from their name.

Wednesday, Oct 17

Tiger Bear Wolf
8:00 p.m., Crash Mansion, 199 Bowery
The Skinny: The burning question here is if this North Carolina band was just too lazy to register myspace.com/tigerbearwolf or if there was another band with the same name that beat them to it. They like hardcore and Rollins.

Fight Like Apes
10:00 p.m., 205 Chrystie (Same for address)
The Skinny: If they stay true to their name, they should have one of the best live shows at the festival. Unfortunately, this Dublin quartet’s brand of pop, while certainly competent, virtually ensures no ape-fighting.

Super Potent Death Baby
10:00 p.m., Crash Mansion, 199 Bowery
The Skinny: Their drummer is named Jimmy the Weed and according to their Myspace, sound like “The Runaways and Black Sabbath having an orgy,” which is pretty spot-on. We like these guys and would heartily endorse doing shots of Jack while listening to this band.


Tacks, The Boy Disaster
10:30 p.m., Arlene Grocery, 95 Stanton St.
The Skinny: This Texas quartet channels Mercury Rev-esque dream-pop and actually sounds pretty damn good. We’re still curious what Tacks did to deserve the name though.

Thursday, Oct. 18

With Blood Comes Cleansing
8:30 p.m., Bowery Poetry Club, 308 Bowery
The Skinny: Metal bands always have the coolest names. These guys do the whole Cookie Monster vocals where you don’t really know what they’re saying, but it’s good for hurting the person next to you. The Myspace lyrics for one song is, “Geeeehhhhhh!!!! Grau snapsin bungi heedo GAAAARRRRRR!!!!” True story.

A Band Called Pain
12:00 a.m., Ace of Clubs, 9 Great Jones St.
The Skinny: Do you have any idea how hard these guys are? The band is called pain. But not just “Pain.” They stress that the band called pain is actually A Band Called Pain. That may be one of the most meta-metal names ever. If you dig hard rock and metal, you’ll dig these guys.


Drugdealer Cheerleader
12:00 a.m., Lion’s Den, 214 Sullivan St.
The Skinny: Their Upcoming Shows section on their Myspace page says “Cheerleaders wanted” so this, coupled with hard-rocking c*ck rock, may have potential for a good show for anyone who thought Queens of the Stone Age went too soft.

Friday, October 19

Tom Schraeder & His Ego
7:45 p.m., Arlene’s Grocery, 95 Stanton St.
The Skinny: The most meta band name since, well, A Band Called Pain. We’ll assume it’s a joke instead of just massive arrogance. Schraeder does guitar-based singer-songwriter tracks that’ll make indie heads and Jeff Buckley fans take notice.

Michael Hearst's Songs for Ice Cream Trucks
9:00 p.m., Banjo Jim’s, 700 E. 9th St.
The Skinny: We seriously hoped this was some Warhol-esque performance art of a guy playing the Mister Softee theme song for his entire set. But his tracks are even better than that. With names like “The Popsicle Parade” and “Where Do Ice Cream Trucks Go in the Winter?”, take his band name literally with indie-pop accordion- and synth-heavy tracks that sound like, well, um, see band name.

Scotland Yard Gospel Choir
9:00 p.m., Cake Shop, 152 Ludlow
The Skinny: To quote Lionel Hutz, “This is the greatest case of false advertising I've seen since I sued the movie The Neverending Story.” There’s nothing Scottish, gospel or choir about this Chicago musician who dabbles in shoegaze pop and 60s British Invasion rock.


Assemble Head In the Sunburst Sound
10:00 p.m., Luna Lounge, 361 Metropolitan Ave, Brooklyn
The Skinny: Let us guess, Assemble Head in the Sunburst Sound. You like weed. A lot. No, we don’t need to hear your music to guess that. What? You want us to hear your songs? Fine…..It’s confirmed. You like weed. But your stoner-rock in the vein of Spirtualized and Kyuss is actually pretty damn good. Is there anything stoners can’t do (besides sports)?

Strikkly Vikkly Dubsystem
10:00 p.m., Rose Live Music, 345 Grand St., Brooklyn
The Skinny: Anything with the non-ironic usage of the word “dub” will always get our attention as it’s a genre that sounds so good live but is performed so rarely these days. This is actually the alias of Victor Rice, an incredible, renowned dub/ska musician who’s been a regular fixture in the scene for a minute.

Saturday, October 20

Bring Back the Guns
6:00 p.m., The Annex, 152 Orchard St.
The Skinny: Not as hard as their name suggests, this Houston quartet still stands out with nods to the Fugazi/At the Drive-In tree of rock.


Sex With an Angel
11:00 p.m., Cake Shop, 152 Ludlow St.
The Skinny: Wow. How the f**k did they come up with this one? They could make up 328 stories about the derivation of their name and they could all rock. And they’re from Brooklyn so New Yorkers, support your local shimmering indie band. - Jason Newman

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Austin based outfit ...And You Will Know Us by the Trail of Dead have teamed up with Adult Swim and Dethklok – “the undisputed greatest animated metal band in the galaxy” – to bring college campuses a little free rock and roll this fall. In an effort to disrupt great, collegiate minds from their studies, Trail of Dead will hit the road as part of the Adult Swim Presents’ series starting 10/29 at the University of New Mexico. All tickets for the tour are free, and can be obtained HERE. So, what are you doing studying?

Trail of Dead On Tour:
10/29/07: University of New Mexico, Albuquerque, N.M.
10/31/07: University of Nevada, Las Vegas, Nev.
11/01/07: University of California, Los Angeles, Calif.
11/02/07: University of California, Berkley, Calif.
11/05/07: Colorado State University, Fort Collins, Colo.
11/07/07: University of Minnesota, Minneapolis, Minn.
11/08/07: University of South Dakota, Vermillian, S.D.
11/11/07: University of Colorado, Boulder, Colo.
11/13/07: Southern Illinois University, Carbondale, Ill.
11/15/07: University of Oklahoma, Norman, Okla.
11/17/07: University of Kansas, Lawrence, Kan.
11/18/07: Northwestern University, Chicago, Ill.

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Trail of Dead on MySpace

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For those down with songwriting, the dance floor thump of modern electronic music has rarely offered much of a haven to seek solace in…though assimilation with more traditional elements over the last few years is certainly doing its’ part to help champion converts. Genre benders like Beta Band, Books, LCD Soundsystem, and Hot Chip have all come of age with honest to god folk tucked away somewhere near the central nervous systems of their bodies of work. Now tack East London’s Tunng on to this collection of notable exceptions. A four-years and counting collaboration between electronic guru Mike Lindsay and his singer/songwriting cohort Sam Genders, the duo has sprouted a few more members, and recently released their third proper album for those fine, fifteenth anniversary celebrators over at Thrill Jockey. Not to take a piss on the party, but unfortunately Good Arrows ultimately reveals there are better ways to commemorate such a storied franchise of recordings than with this album. Keep Reading - David Pitz

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MP3: Tunng:: “Bricks” – Good Arrows
Tunng on MySpace

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Psychedelic pill pop outfit Why? have announced their return with a November 19th 12” EP to be released on long time label home Anticon Records. A preemptive teaser ahead of their scheduled March ’08 full-length, titled Alopecia, Yoni Wolf, Josiah Wolf, and Doug McDiarmid have teamed up with the likes of Dntel, Xiu Xiu, Boards of Canada, and Islands to issue both a domestic and European version of the The Hollows EP. Full details below:

US Version:
A1. The Hollows
A2. By Torpedo Or Crohn's (a remix by Dntel)
B1. Yoyo Bye Bye (a cover by Xiu Xiu)
B2. Pre-teen Apocalyptic Film Acting (Medley) (a cover by Half-handed Cloud)

EU Version:
A1. The Hollows
A2. Good Friday (a remix by Boards of Canada)
B1. Yoyo Bye Bye (a cover by Dump)
B2. Broken Crow (a cover by Islands

In addition, for those lucky ones residing in New York City, Why? will be gigging a $1.00 show at the Knitting Factory this Sunday evening. Because it is so cheap, the show is sure to sell-out, though you can reserve a spot by RSVPing HERE. Why? wouldn’t you go? – David Pitz

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Despite the strange flux of unused tickets surrounding the event, last Saturday’s Arcade Fire/LCD Soundsystem show at Randall’s Island was flooded with an eclectic mix of concert-goers, and though the average age was probably somewhere around the legal age for renting a car, there were some elder fans hanging around among the crowd, and not just waiting for their teenage children. With lax restrictions on bags and food, the otherwise depressing field that is Icahn Stadium became a large picnic grounds, and the general mellowness of the bill inspired the crowd to retain a more porous structure than, say, when Rage Against the Machine performed for Rock the Bells at the same venue back in July. KEEP READING - Eric Silver

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Alright, I know I’m a bit slow on this one. I was no mid-night downloader, preferring sleep over the devastatingly day-after drag such late-night euphoria would have almost certainly inflicted upon me. Plus, I knew my download would be waiting for me in the morning, to pick over with decidedly fresher ears than all the competition. So, I am finally ready to weigh in on In Rainbows – some 36 hours after live-listen, knee jerk reactions began flooding the interweb.

To stir the kind of universal excitement Radiohead brought to a boil over the last week with a dud of an album would certainly be a grand disappointment. Fortunately, this is Radiohead – the finest band on the globe – we are talking about, and In Rainbows is nothing of the sort. Heart stopping guitar rippers (“Bodysnatchers”),fits of electronic paranoia (“15 Step”), gentle, mind numbing moments (“Nude”), and piano balladry (“Videotape”)… like Hail to the Thief, In Rainbows assimilates just about everything you have come to love about this band. They have even, dare I say, thrown something a bit more upbeat than expected into the mix with “Jigsaw Falling Into Place” (though I’m sure the lyrics will eventually reveal Yorke is as neurotic as ever). My personal favorite so far? It has got to be the hypnotic, percussive pulse of “Reckoner”. It’s deadly serious…the kind of track that presses trademark experimentation into the ultimate service of melody. It also makes me want to squeeze my eyes as tight as I possibly can so as not to let anything exist outside of it.

On “All I Need”, Yorke confesses, “I’m the next act waiting in the wings”. Hardly Thom. A week ago the world didn’t even know about In Rainbows. Now, it is very much of the here and present. And so the album continues to play on repeat here at Baeble HQ. In the coming weeks, we’ll continue to discuss what has got to be the biggest release of the year. Until then, what do you think? - David Pitz

Still haven’t picked up In Rainbows? Download it now HERE.

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For their latest video installment from We Were Dead Before the Ship Even Sank, Modest Mouse pull out a rather sad and sappy card (just as we were all riled up about In Rainbows, nonetheless), setting the lovely balladry of “Little Motel” to a pretty tragic story line. Not only that, but it all plays out in reverse. Double Whammy! Check it out below… - David Pitz

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Modest Mouse on MySpace

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It was about this time last year that a steady storm of critical winds raddled the windows of Baltimore indie pop duo Beach House…probably due to the entirely timely nature of the stripped down, semi-orchestrated bouts of noir the two peddled on their stunning debut. Now, just in time for another dip in the temperature, Alex Scally and Victoria Legrand return with news of sophomore release Devotion (Carpark Records). And while Feb 28th lies a few months off, getting the seasonal fix from Beach House is no trick (if you live in the right spot), as they are currently on the road with Grizzly Bear. Dates below: - David Pitz

BEACH HOUSE TOUR DATES
10-09 Milwaukee, WI - Pabst Theater
10-10 Chicago, IL - Park West
10-11 Columbus, OH - Wexner Center for the Arts (Ohio State University)
10-12 Pittsburgh, PA - Andy Warhol Museum
10-13 Baltimore, MD - 2640 Space at St. John’s Church
10-14 Philadelphia, PA - First Unitarian Church Sanctuary

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Beach House on MySpace

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Seabear needn’t lull listeners in with ultra, attention-fetching songmanship and goofy, “hey! Look at us!” gimmicks. No, these honest Joes…or honest Sindris, Gudbjorgs, and Hlins, as the case may be…rally behind a more sincere approach to the game of gaining the reins, and on their debut, The Ghost That Carried Us Away (Morr Music), you can hear it. Keep Reading - David Pitz

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MP3: Seabear:: “I Sing I Swim” – The Ghost That Carried Us Away
Seabear on MySpace

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Don’t call him Bob. Address him in a more formal manner please. How about Mr. All Things to All People? Yeah…I like the sound of that. Especially given that today marks another opportunity to sneak a drip and a drop off the illimitable vats of creativity Robert Pollard has been binging on since Guided by Voices went all defunct three years ago. Yes, Uncle Bob’s got the fix for whatever your taste is. Coast to Coast Carpet of Love vs. Standard Gargoyle Decisions…it is a double shot of full-lengths on tap. For the throwback, G-B-V chanting type – the one still longing for one last three hour set from their beloved booze hounds - might I suggest sucking down a pint of the power-pop anglings of Coast to Coast. On the other hand, Standard Gargoyle plays for those who have embraced the B-O-B’s love for all things rock. And since I like you , I am happy to offer a sample of both. Now, what can I get you? - David Pitz

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MP3: Robert Pollard:: “Rud Fins” – from Coast to Coast Carpet of Love
MP3: Robert Pollard:: “The Killers” – from Standard Gargoyle Decisions

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The life and times of Spencer Krug are never dull…they can’t be when you fashion yourself to be one of rock’s most generating workhorses. Compiling one bloody album after another, Krug always seems to have something current on his plate…doesn’t matter if it is Wolf Parade, Frog Eyes, or Swan Lake. This week, the emphasis is on his only non-animal related project, Sunset Rubdown. Krug’s second solo outing, Random Spirit Lover will get a release tomorrow, courtesy of JagJaguwar, and the full band is currently flaunting their brash, art-on-bedroom-rock in various North American venues over the next few weeks. – David Pitz

Sunset Rubdown on Tour:
10/08/07 Brooklyn, NY - Music Hall of Williamsburg
10/09/07 New York, NY - Bowery Ballroom
10/10/07 Philadelphia, PA - First Unitarian Church
10/11/07 Washington, DC - Black Cat
10/12/07 Chapel Hill, NC - Local 506
10/13/07 Atlanta, GA - Drunken Unicorn
10/15/07 Baton Rouge, LA - Spanish Moon
10/16/07 Austin, TX - Emo's
10/18/07 Tucson, AZ - Plush
10/19/07 Los Angeles, CA - El Rey Theatre
10/21/07 San Francisco, CA - Independent
10/23/07 Portland, OR - Hawthorne Theatre
10/24/07 Seattle, WA - Crocodile Cafe
10/25/07 Vancouver, BC - Plaza Club
10/26/07 Victoria, BC - Logans
10/28/07 Calgary, Alberta - Broken City
10/29/07 Edmonton, Alberta - Velvet Underground
10/30/07 Saskatoon, Sask. - Amigos
10/31/07 Winnipeg, MB - Royal Albert Arms
11/01/07 Fargo, ND - Aquarium
11/02/07 Minneapolis, MN - Triple Rock Social Club
11/03/07 Chicago, IL - Empty Bottle

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MP3: Sunset Rubdown:: “Winged/Wicked Things” – from Random Spirit Lover
MP3: Sunset Rubdown:: “Up On Your Leapord, Upon the End of Your Feral Days” – from Random Spirit Lover
Sunset Rubdown on MySpace

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I got my first listen to Matt Pond PA’s newest album on a recent drive up to a friend’s lake house in upstate New York. With three of my buddies in the car and nothing to lose, I popped in Last Light, crossing my fingers that it wouldn’t turn out to be some ear-assaulting horror (clearly, I did not know very much about the band at this point). Lucky for me (and my passengers!), this album was not only great, but seemed put together specifically with a road trip in mind. Keep Reading - Claire Orpeza

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Matt Pond PA @ MySpace

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Few souls burn as intensely as The Veils’ Finn Andrews. When the gothic laced mad hatter took the Bowery Ballroom’s stage, he quickly assumed the agonized face that his theatrical, unrestrained, and discontent music so rightfully demands. The Smiths, Stone Roses, Nick Cave, The Cure, and The Clash…the New Zealander and son of former XTC keyboardist Barry Andrews took welcome live musical cues from a host of acts who knew music was no game, but rather a deeply personal and spiritual phenomenon. While most of the set was pulled from the band’s masterful piece of work, Nux Vomica (Rough Trade), ironically, it was a cover of Bruce Springsteen’s “State Trooper” that really personified the barely bottled madness the band threatened , and often did, unleash on the wild room. In other words, The Veils are serious business…though appearing for the encore in star studded, red white and blue pants, while telling a story about how “these colors don’t run” was a welcome let up for a moment. - David Pitz

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VIDEO: The Veils:: “Live at The Bowery Ballroom” – NYC, NY

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When an intensely, pondering poet, draped in a broken-in hollow body guitar and spewing red and raw vocals, as if choking on the sun-baked mud and dust of his subject matter, teams up with a hold no cheap shots (at least behind the kit) kind of drummer…himself awash in sweat, fighting off the rush of blood from his own battered fingers…the live result can only be something that tip toes on the overwhelming. Such is the case with Adam Stephens and Tyson Vogel.

Though the two childhood friends hail from San Francisco, Two Gallants’ performance on Tuesday at the Blender Theater at the Gramercy would have one believe they were bred on an utterly authentic, rural ruggedness. I suppose it’s due to the way their agrarian blend of folk, blues, country, rock, and punk conjure up apocalyptic dust bowl images…think The Grapes of Wrath if you have to. And if you don’t rely on such a picture, just know that such intense, tom tom driven folk thrash can set Midwestern hay bails ablaze all the way from New York City. - David Pitz

Stay tuned to Baeble Music in the coming weeks for exclusive, live footage from the Two Gallants show at the Blender Theater.

Catch Two Gallants as they continue to tour in support of their recently released, self-titled album.

Two Gallants on Tour:
10.05 - Boston, MA - Middle East Downstairs
10.06 - Baltimore, MD - Sonar
10.07 - Washington, DC - Rock and Roll Hotel
10.08 - Chapel Hill, NC - Local 506
10.09 - Atlanta, GA - Drunken Unicorn
10.10 - New Orleans, LA - House of Blues
10.11 - Hattiesburg - Mohawk
10.15 - Tucson, AZ - Zia Records (Oracle)
10.15 - Tucson, AZ - Plush
10.17 - San Diego, CA - The Casbah
10.18 - Los Angeles, CA - El Rey
10.26 - San Francisco, CA - The Independent
10.27 - San Francisco, CA - The Independent

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Photos: Two Gallants:: “Live at the Blender Theater at the Gramercy” – NY, NY
MP3: Two Gallants:: “The Hand That Held Me Down” – from Two Gallants
MP3: Two Gallants:: “Despite What You've Been Told” – from Two Gallants
Two Gallants on MySpace


- Photography by Maureen Pitz

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On Hold On Now, Youngster, UK’s Los Campesinos! introductory EP released Summer 2006, the seven-piece wryly describe a band “trying to find the perfect mix between pretension and pop.” While the latter is definitely true, as exemplified on their latest EP Sticking Fingers Into Sockets, pretentiousness is the last thing the fresh-out-of-college kids have to worry about. Having all met at school in Wales, the group came together through friends of friends and weekday nights with nothing better to do than play music. Only three months after performing their first gig, the band landed a slot opening for Broken Social Scene and would eventually sign with indie giants Wichita Recordings and Arts & Crafts in the UK and US respectively. Going the Ramones approach, each band member took on “Campesino!” for a last name. Baeble caught up with bassist/vocalist Ellen Campesinos! as her band lays down the finishing touches on their debut full-length in Ontario to discuss how she helped Karen O, life after college and the burning question on everyone’s mind: what the hell is a Campesino? KEEP READING - Jason Newman
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Los Campesinos @ MySpace

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Fans of all things Oberst…Here is some news that is sure to make you weep your bright little eyes out! Seems Bright Eyes have expanded their current set of tour dates, even venturing off to smaller markets that probably haven’t seen the perennial poster boy in quite some time. No need to sputter on here…let us go straight to the dates! - David Pitz

Bright Eyes - Fall 2007
Fri-Oct-19, Chicago, IL, Chicago Theatre
Sat-Oct-20, Kalamazoo, MI, State Theatre
Sun-Oct-21, Champaign IL, University of Illinois – Foellinger Auditorium
Mon-Oct-22, Milwaukee, WI, Riverside Theatre
Tue-Oct-23, Lawrence, KS, University of Kansas - Lied Center
Wed-Oct-24, Omaha, NE, Waiting Room
Thu-Oct-25, Sioux Falls, SD, Ramkota Exhibit Hall
Sat-Oct-27, Billings, MT, Shrine Auditorium
Sun-Oct-28, Missoula, MT, University Theatre
Tue-Oct-3, Edmonton, AB, Events Center
Wed-Oct-31, Calgary, AB, MacEwan Hall
Fri-Nov-02, Winnipeg, MB, Burton Cummings Theatre
Sat-Nov-03, Fargo, ND, The Venue @ Playmakers
Sun-Nov-04, Iowa City, IA, University of Iowa – Main Lounge
Tue-Nov-06, Memphis, TN, Orpheum Theatre
Wed-Nov-07, Birmingham, AL, Alabama Theatre
Thu-Nov-08, Charleston, SC, The Plex
Fri-Nov-09, Winston Salem, NC, Millennium Center
Sat-Nov-10, Norfolk, VA, The NorVA
Sun-Nov-11, Washington, D,C DAR Constitution Hall
Mon-Nov-12, Wilmington, DE, Grand Opera House
Wed-Nov-14, Binghamton, NY, Magic City Music Hall
Thu-Nov-15, Rochester, NY, Main Street Armory
Fri-Nov-16, Portsmouth, NH, The Music Hall
Sat-Nov-17, Providence, RI, Lupo's Heartbreak Hotel
Sun-Nov-18, Worcester, MA, Palladium
Mon-Nov-19 New York, NY, Radio City Music Hall

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MP3: Bright Eyes:: “Amy in the White Coat” – from Noisefloor
Bright Eyes on MySpace

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Though Tokyo Police Club are currently hard at work turning the knobs on their debut full-length album, there will be a few opportunities to get busted by these buzzy Canadians this fall. Starting Oct. 9th, the band will play a handful of dates in the US/Canada, before returning to the studio to finish up the LP. Sounds like a perfect opportunity to check out new material before Saddle Creek releases the album in late winter/early spring. – David Pitz

Tokyo Police Club - Fall 2007
Sun-Oct-07, Chicago, IL, Schubas
Mon-Oct-08, Chicago, IL, Schubas
Tue-Oct-09, Minneapolis, MN, 7th Street Entry
Thu-Oct-11, Winnipeg, MB, Pyramid Cabaret
Fri-Oct-12, Saskatoon, SK, Louis' Pub at SU
Sat-Oct-13, Alberta, Starlite Room
Tue-Oct-16, Victoria, BC, Sugar Nightclub
Fri-Oct-19, Portland, OR, Doug Fir Lounge
Mon-Oct-22, Las Vegas, NV, Beauty Bar
Tue-Oct-23, Los Angeles, CA, El Rey
Wed-Oct-24, Pomona, CA, Glass House
Thu-Oct-25, San Francisco, CA, Popscene

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Tokyo Police Club on MySpace

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I suppose one could call Of Montreal one of the sweeter break-out surprises of ’07. Kevin Barnes’ euphoric indie popsters have peddled whimsy, yet theatric fare for about ten (long) years now, and not until Hissing Fauna, Are You The Destroyer? (Polyvinyl) has the band’s stock really soared for the well-deserved ozone. Always one for the occasion, the band continues to trek on in support of the album, and this fall is no kind of exception. Starting this evening in Urbana, IL (Go Ilini…) the band will kick off the utterly unpredictable “Gender Mutiny” tour, complete with over the top costumes, extravagant backdrops, and a sheik and sexy catwalk. Not to be missed!

Of Montreal On Tour:
10/3 - Urbana, IL - Canopy Club
10/4 - Milwaukee, WI - Pabst Theatre
10/5 - Minneapolis, MN - First Avenue
10/6 - Chicago, IL - Cabaret Metro
10/7 - Chicago, IL - Cabaret Metro
10/8 - Oberlin, OH - Hales Gym at Oberlin College
10/9 - Detroit, MI - Majestic Theatre
10/10 - Buffalo, NY - The Tralf
10/11 - Philadelphia, PA - Trocadero
10/12 - Boston, MA - The Roxy
10/13 - New York, NY - Roseland
10/14 - Baltimore, MD - Rams Head Live
10/31 - Athens, GA - 40 Watt Club
11/1 - New Orleans, LA - House Of Blues
11/2 - Houston, TX – Numbers -- early show
11/3 - Austin, TX - Fun Fun Fun Fest
11/4 - Dallas, TX - Granada Theatre
11/5 - El Paso, TX - Club 101
11/6 - Tempe, AZ - Marquee
11/7 - Tucson, AZ - Rialto
11/8 - Los Angeles, CA - Avalon
11/9 - Los Angeles, CA - Avalon
11/10 - La Jolla, CA - Mandeville Auditorium UCSD
11/12 - San Francisco, CA - Great American Music Hall
11/13 - San Francisco, CA - Great American Music Hall
11/14 - San Francisco, CA - Great American Music Hall
11/16 - Salt Lake City, UT - In The Venue
11/17 - Denver, CO - Ogden Theater
11/18 - Lawrence, KS - Liberty Hall
11/19 - ST Louis, MO - The Pageant
11/20 - Atlanta, GA - Variety Playhouse

Of course that’s not all Of Montreal have up their stilts. Polyvinyl will also be releasing two discs of material, one from their storied past, the other from the here and now. Yesterday, a digital only acoustic EP, Sony Connect Set was released via digital media outlets, and Oct 30th will see the proper reissue of their Track and Field compilation If He Is Protecting Our Nation Then Who Will Protect Big Oil, Our Children?. – David Pitz

Sony Connect Set Track listing:
1) Harvest Moon (Neil Young cover)
2) Heimdalsgate Like A Promethean Curse
3) Make Out, Fall Out, Make Up" (Love is All Cover)
4) We Were Born The Mutants Again With Leafling

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MP3: Of Montreal:: “Heimdalsgate Like A Promethean Curse” – from Hissing Fauna, Are You The Destroyer?
Of Montreal on MySpace

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Here is some sonic mystery for that autumn mix you are no doubt compiling…this time from Bristol UK’s sleek and sharp shoegaze revivalists Gravenhurst. While these masters of mood have plugged away at creating various songscapes over the course of three albums now, none of their previous albums sound as diverse and finely cut as The Western Lands (Warp). “Song Among the Pine”, while swept wide open with minimal bits of crisp instrumentation packs spot on folkie elegance and donned in black dignity into its spacious boundaries. Opener “Saints” recalls the same sweet, yet sedated guitar strummers Red House Painters once whisked out of thin air. And both “Trust” and the title track seize wobbly, 60’s guitar pop inspired riffs, all while sustaining a sinfully smooth austere. The flip side of The Western Lands…look to the track “Hollow Men” as the best example…reveals a big amped band that still refuses to recover from the ferocious fits Loveless once put them under. All of this, and there still remains singer Nick Talbot’s murder ballad (“The Collector”) tales, and cautious confessions of wrong and regret (“She Dances”). – David Pitz

Gravenhurst's video for "Hollow Men"



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Gravenhurst on MySpace

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Ten Days. That’s it. Ten dainty little days…

In an announcement that made jaws the world over collectively crack open on the ground in one foul snap, Radiohead – the globe’s greatest rock band – announced that not only is their new album, In Rainbows, complete, but that fans need not muddle through months upon months of excruciating anticipation in order to hear it. No, the album will in fact be independently released, via download on the band’s Website, starting Oct. 10th. Not only that, but the band is leaving just how much their fans want to pay for In Rainbows, up to them. Me? I paid 4 quid…I know, cheap, cheap, cheap. But word is, the album will also probably get a real physical release sometime in 2008, and I’ll definitely need it sitting next to all my other Radiohead albums.

For the fan not willing to wait until 2008 for a physical piece, consider this rather costly option. In addition to releasing In Rainbows as a download, Radiohead have also compiled a Discbox. For roughly 80 bucks, expect to receive the new album on both CD and 2 X 12” heavyweight vinyl, a second, enhanced CD containing more new songs, along with digital artwork and photographs, additional artwork and lyric books, as well as the 10/10 download. Check out the track listing below. - David Pitz

Download and Vinyl Track Listing:
15 STEP
BODYSNATCHERS
NUDE
WEIRD FISHES/ARPEGGI
ALL I NEED
FAUST ARP
RECKONER
HOUSE OF CARDS
JIGSAW FALLING INTO PLACE
VIDEOTAPE

Discbox Bonus
MK1
DOWN IS THE NEW UP
GO SLOWLY
MK2
LAST FLOWERS
UP ON THE LADDER
BANGERS AND MASH
4 MINUTE WARNING

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